diff --git a/pyroomacoustics/bss/common.py b/pyroomacoustics/bss/common.py
index 6f2752cb..b076b266 100644
--- a/pyroomacoustics/bss/common.py
+++ b/pyroomacoustics/bss/common.py
@@ -44,13 +44,13 @@ def projection_back(Y, ref, clip_up=None, clip_down=None):
 
     .. math::
 
-        0 & = E[y^*\\, (z^* y - x)]
+        0 & = E[y^*\, (z^* y - x)]
 
-        0 & = z^*\\, E[|y|^2] - E[y^* x]
+        0 & = z^*\, E[|y|^2] - E[y^* x]
 
-        z^* & = \\frac{E[y^* x]}{E[|y|^2]}
+        z^* & = \frac{E[y^* x]}{E[|y|^2]}
 
-        z & = \\frac{E[y x^*]}{E[|y|^2]}
+        z & = \frac{E[y x^*]}{E[|y|^2]}
 
     In practice, the expectations are replaced by the sample
     mean.
diff --git a/pyroomacoustics/denoise/iterative_wiener.py b/pyroomacoustics/denoise/iterative_wiener.py
index 41a379b4..e40b474c 100644
--- a/pyroomacoustics/denoise/iterative_wiener.py
+++ b/pyroomacoustics/denoise/iterative_wiener.py
@@ -43,7 +43,7 @@ class IterativeWiener(object):
 
     .. math::
 
-        H(\\omega) = \dfrac{P_S(\\omega)}{P_S(\\omega) + \\sigma_d^2},
+        H(\omega) = \dfrac{P_S(\omega)}{P_S(\omega) + \sigma_d^2},
 
 
     where :math:`P_S(\omega)` is the speech power spectral density and
@@ -84,12 +84,12 @@ class IterativeWiener(object):
 
     .. math::
 
-        \sigma_d^2[k] = \\alpha \cdot \sigma_d^2[k-1] + (1-\\alpha) \cdot \sigma_y^2,
+        \sigma_d^2[k] = \alpha \cdot \sigma_d^2[k-1] + (1-\alpha) \cdot \sigma_y^2,
 
-    where :math:`\\alpha` is the smoothing parameter and :math:`\sigma_y^2` is
-    the energy of the input frame. A high value of :math:`\\alpha` will update
+    where :math:`\alpha` is the smoothing parameter and :math:`\sigma_y^2` is
+    the energy of the input frame. A high value of :math:`\alpha` will update
     the noise level very slowly, while a low value will make it very sensitive
-    to changes at the input. The value for :math:`\\alpha` can be set with the
+    to changes at the input. The value for :math:`\alpha` can be set with the
     `alpha` parameter.
 
     **When speech is identified in the input frame**, an iterative procedure is
@@ -257,7 +257,7 @@ def compute_speech_psd(a, g2, nfft):
 
     .. math::
 
-        P_S(\\omega) = \dfrac{g^2}{\\left \| 1 - \sum_{k=1}^p a_k \cdot e^{-jk\omega} \\right \|^2},
+        P_S(\omega) = \dfrac{g^2}{\left \| 1 - \sum_{k=1}^p a_k \cdot e^{-jk\omega} \right \|^2},
 
     where :math:`p` is the LPC order, :math:`a_k` are the LPC coefficients, and
     :math:`g` is an estimated gain factor.
@@ -297,7 +297,7 @@ def compute_squared_gain(a, noise_psd, y):
 
     .. math::
 
-        \dfrac{N}{2\pi} \int_{-\pi}^{\pi} \dfrac{g^2}{\\left \| 1 - \sum_{k=1}^p a_k \cdot e^{-jk\omega} \\right \|^2} d\omega = \sum_{n=0}^{N-1} y^2(n) - N\cdot\sigma_d^2,
+        \dfrac{N}{2\pi} \int_{-\pi}^{\pi} \dfrac{g^2}{\left \| 1 - \sum_{k=1}^p a_k \cdot e^{-jk\omega} \right \|^2} d\omega = \sum_{n=0}^{N-1} y^2(n) - N\cdot\sigma_d^2,
 
 
     where :math:`N` is the number of noisy samples :math:`y`, :math:`a_k`
diff --git a/pyroomacoustics/denoise/spectral_subtraction.py b/pyroomacoustics/denoise/spectral_subtraction.py
index 35331d6a..edae4055 100644
--- a/pyroomacoustics/denoise/spectral_subtraction.py
+++ b/pyroomacoustics/denoise/spectral_subtraction.py
@@ -37,7 +37,7 @@ class SpectralSub(object):
 
     .. math::
 
-        G[k, n] = \max \\left \{ \\left ( \dfrac{P[k, n]-\\beta P_N[k, n]}{P[k, n]} \\right )^\\alpha, G_{min} \\right \},
+        G[k, n] = \max \left \{ \left ( \dfrac{P[k, n]-\beta P_N[k, n]}{P[k, n]} \right )^\alpha, G_{min} \right \},
 
     where :math:`G_{min} = 10^{-(db\_reduc/20)}` and :math:`db\_reduc` is the
     maximum reduction (in dB) that we are willing to perform for each bin (a
@@ -64,7 +64,7 @@ class SpectralSub(object):
     `Here <https://www.vocal.com/noise-reduction/musical-noise/>`_ is nice
     article about noise reduction and musical noise.
 
-    Adjusting the constants :math:`\\beta` and :math:`\\alpha` also presents a
+    Adjusting the constants :math:`\beta` and :math:`\alpha` also presents a
     trade-off between suppression and undesirable artefacts, i.e. more
     noticeable musical noise.